• I verify, after external intervention (Statement vs. Terrorism), people, conversations in question tone.
• I verify after those introspective conversations; everyone feel the need to think their fourth walls.
• I decide, five days after my external intervention, and in consonance with those same conversations, to create a sticker to allow to mark me my fourth walls, to the flavor of my day by day.
• I decide, eight days after my intervention, to cut stickers until my fingers fall down.
• I verify, being born of the Movement FUCKfourthwall.

Result:

• Social individuals / they introduce themselves as persons / they become intervening spectators.

The context in the Fuckfourthwall project, through all my cataloguings and the theory for me based, concerning the format of the fourth theatrical wall, I propose this concept in parallelism with each individual's life experience.

In the Theater, each fourth wall is lived and materialized, consonant the characteristics of that same show/play, and the spectator's characteristics, this because, a skeptical spectator, with certainty materializes a concrete wall, while a passionate spectator lets to take for the fabric of billowing silk.

• I verify, the fourth wall is conditioned by his/her spectator.
• Fact, the construction of the fourth wall is soon initiate during the embryonic process of the theatrical conception.
• I verify, the fourth wall provokes an effect, it removes the responsibility to the spectator.

Result:

An evident parallelism exists among the materialization of these fourth theatrical walls, and the existence of each one of the spectators.

The people when they take conscience of this parallelism, they take conscience of the existence of fourth walls in his/her everyday one.

When taking conscience, they will be entitled in demarcating them, to affirm them, or to materialize them.

The FUCKfourthwall movement, comes as, being of all the one that want to take this conscience and to share their fourth walls with the society.