FUCKfourthwall Movement:

By previous official report, the movement makes available a KIT, constituted by:

• Wall cataloguing


• 1 Sticker of great format


• 10 Stickers medium format


• 5 Stickers small format


• Do It Yourself Box model


• Paper Tools model


• 1 Pin

It serves for:

Possibility of demarcation of the eventual fourth everyday walls, through the use of the stickers.

The pin represents the adhesion to the FUCKfourthwall movement.

Wall cataloguing, a guide for the search of walls.

Box model, and model of paper tools, a guide in the bricolage world.

Rules:

The eventual actions should be marked and properly documented, each KIT, includes the commitment, and the spectator's responsibility, in passing the varied documentation forms to the FUCKfourthwall Movement logistics section.

The KIT will be available through mail. The interested parties should leave his/her home address for the following contact:

Joana Vaz

In representation of the FUCKfourthwall Movement

email: ffourthwall@gmail.com

Mobile: +351 916 024 595

• I verify, after external intervention (Statement vs. Terrorism), people, conversations in question tone.
• I verify after those introspective conversations; everyone feel the need to think their fourth walls.
• I decide, five days after my external intervention, and in consonance with those same conversations, to create a sticker to allow to mark me my fourth walls, to the flavor of my day by day.
• I decide, eight days after my intervention, to cut stickers until my fingers fall down.
• I verify, being born of the Movement FUCKfourthwall.

Result:

• Social individuals / they introduce themselves as persons / they become intervening spectators.

The context in the Fuckfourthwall project, through all my cataloguings and the theory for me based, concerning the format of the fourth theatrical wall, I propose this concept in parallelism with each individual's life experience.

In the Theater, each fourth wall is lived and materialized, consonant the characteristics of that same show/play, and the spectator's characteristics, this because, a skeptical spectator, with certainty materializes a concrete wall, while a passionate spectator lets to take for the fabric of billowing silk.

• I verify, the fourth wall is conditioned by his/her spectator.
• Fact, the construction of the fourth wall is soon initiate during the embryonic process of the theatrical conception.
• I verify, the fourth wall provokes an effect, it removes the responsibility to the spectator.

Result:

An evident parallelism exists among the materialization of these fourth theatrical walls, and the existence of each one of the spectators.

The people when they take conscience of this parallelism, they take conscience of the existence of fourth walls in his/her everyday one.

When taking conscience, they will be entitled in demarcating them, to affirm them, or to materialize them.

The FUCKfourthwall movement, comes as, being of all the one that want to take this conscience and to share their fourth walls with the society.

First Cataloguing of Wall

• Cement
• Wood
• Brick
• Paper
• Adhesive glue
• Glass
• Fabric
• Rock
• Thread
• Steel
• Iron
• Clay
• Plastic
• Aluminum
• Cardboard
• Tile
• Stained glass window
• Vinyl
• Linoleum
• Mosaic
• Glue
• Copper
• Fiberglass
• Plaster
• Granite
• Marble
• Zinc
• Stonelike building material

Statement vs. Terrorism

one night...

one day...

First impressions, searching for the Wall

Marble wall, stratified.

Brick wall, cement, paint tracks.

Wall of balloons, organized in a room of 2 square meters, planned out wall.

Wall (s), border delineated by different color, stone, cement, fungus.

Wall ramification, natural option of opening, pré-disposed for a certain function.

Delineated wall by lines, painted with a brush, without cleanliness, a hole not defined for the exterior.

Tile wall, pattern. Stratified, arranged, taken care.

Wall tile, pattern.

Couple wall, damaged wall, mud wall, stone, glass window, aluminum, rolls and boxes block the window.

Wall of small mosaics, sequential, meticulous.

Wall, towed, crooked.

Glass wall, covered with a green curtain, possibility of visualization, double barrier, green paper self adhesive.

Building wall built in the forties, half-open window.

Glass wall, mirrored, reflective, observer.

Building wall, three types of used tile, building of three floors. Visual dysfunction, pollution.

Wall detail.

Building wall, hanger, a lot of towels, repetition of patterns.

Wall of artistic expression, contemporary. Disfuncional, confused, dirty, artistic.

Wall of family kitchen, wood, marble, glass, tile, nutritious goods. Wall of family kitchen, wood, marble, glass, tile, nutritious goods.

Statement

I, Joana Vaz, creative artist, I commit to accomplish, along all of the phases of my work process, the following rules, obligations and interdictions, that the 'Dogma 2005' meditates and to which I will have to submit my project.

Signed: Joana Vaz

(in representation, Fuckfourthwall - Dogma Project)

DOGMA

What is a Dogma Project?



http://www.dogma05english.blogspot.com/

You don't need to be ashamed, after all there is no one to see you, you can click there without any pudency.
The Dogma is waiting for you.

The ten commandments of the theater

1. To love theater above all things.
2. Not to take his/her saint name, Actor, in vain.
3. To keep Fridays and Saturdays to praise the saint exercise of spectator.
4. You will honor and you will undergo the director, director.
5. You will conspire, you won't eliminate competition unaware of form visible, or proven.
6. Not to sin during the saint exercise of the scene.
7. You won't steal parts that aren't yours.
8. You won't create gossip or bad intentioned rumors.
9. You won't want; corporal material, to absorb foods, to spread the bladder lightness, or the defecation, until the saint rehearsal to finish.
10. Not to covet the mirror of 1.80m x 2m, the coffee maker, and the 'chaise longue' of the main dressing room.

by Fuckfourthwall

Hello, my name is Joana.

Joana Alexandra Vaz Gonçalves is my birth name, Joana Vaz the artistic one. I'm from Lousã. When i was 5 I wanted to be a biologist and swim with the dolphins; when I was 8 I wanted to be a pianist, but I still wanted to swim with the dolphins; when I was 12 I found out that there are bigger mammals, and I decided to swim with orcas. When I was 16 wanted to sing, but my voice was a inner voice; while studying the scientific area I discovered the beauty of ebullition and chemical particles; then I decided to sing to orcas and find myself in the beauty of chemistry. Since I didn't find orcas in Serra da Lousã I sang to myself, and to friends, and decided to study my voice, the one that sang, and the jazz in it. There was no chemistry in the jazz, so I decided to swim to music, but music didn't give me a free pass to dive in. When I was 23 I decided to find my voice at Superior Art School and Design of Caldas da Rainha and to swim whith the theatre. I found the voice, I sawm in Theatre, and while doing all of this I foundan actress. When I was 25 I decided that I wanted to swim, fly, create. Today I'm 26, I decided that I am a creative, performer, and that I'm flying to Berlim.